This book was published in 1991 by the Contemporary Art Gallery on the occasion of an exhibition by Carol Wainio at the Contemporary Art Gallery, Vancouver, from April 12 – May 4, 1991. The publication contains an introduction by Bill Jeffries as well as a text contribution by Serge Bérard, written in English and French.

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Carol Wainio

Carol Wainio is a graduate of Concordia University, Montreal, where she now teaches in the Department of Painting and Drawing. Although she has been exhibited extensively in Eastern Canada through the 1980s, and was included in the Aperto at the Venice Biennale in 1990, this is her first exhibition in Western Canada.

The tonal and formal qualities that make Wainio’s painting immediately recognizable have been a consistent part of her work since 1981. One of these qualities is the presence of motion in landscape, depicted by paint that has been dragged and scraped over the picture plane. Another is the combination of meticulously painted miniature figures, found throughout the post-1983 works, with other larger figures revealing the paradoxical scale variations she employs. The results and contrast may be seen as a differentiation of historical structures of power, or as a way of depicting depth in space/time.

Carol Wainio's paintings are about history but not in the traditional sense. Her paintings are about the difficulties encountered in describing history, particularly those of the participants and victims who pictorially occupy Wainio's work. As Serge Bérard puts it in his catalogue essay, 

“If Wainio's painting is first and foremost history painting, there is nevertheless an appreciable distinction: Wainio's painting is about history itself. In other words what is represented in the dynamics of the historical process itself. These paintings do not relate a past event but show how the past has produced the present. Thus it is no longer the singular event which is considered, but rather…the manner in which events are linked and precipitated."


Essay: “The Breadth of History," Serge Bérard

A close up view of an abstract painting of textured paint strokes and organic shapes in black and neutral tones on a white background. 

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A large painting mounted on a white wall. The work is long, composed of three joint horizontal canvases. The background of the painting is grey with white, black, yellow, blue, and brown details.

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A gallery space with several large paintings mounted on the walls. The paintings are abstract and highly detailed, incorporating different shades of grey, red, yellow, and black and white. 

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Three large abstract paintings mounted on the corner of a gallery space. These paintings are primarily white, with several layered details in grey, black, yellow, and red. 

Carol Wainio

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