CAG Façade and offsite at Yaletown-Roundhouse Station
The work of Dionne Lee engages closely with photographic methodologies to pursue forms of knowledge counter to the imperialist assumptions that underlie the conventions of North American landscape photography. Central to Lee’s practice is the body’s experience of the world at a close distance, a scale that she privileges in her work as an access point for understanding the relationship between people and land.
In Ratios, displayed as a trio of photographs at Yaletown-Roundhouse Station and a series of successively darkening photocopies on CAG’s façade, Lee mutually implicates small rocks and her own hand as tools to measure each other. Invoking the practice in geological survey photographs to include small objects in frame to indicate scale, these works stage by proxy the relationship between human bodies and land, and the asymmetry of their impacts on one another.
Dionne Lee: Ratios is presented in partnership with the Canada Line Public Art Program — InTransit BC.
Dionne Lee is a visual artist working in photography, collage, sculpture, and video. Her work explores power and personal history in relation to the American landscape, and interrogates historical narratives that exist within photographic representations of land and place. Lee received her MFA from California College of the Arts. She has exhibited at the Museum of Modern Art, New York; Feria Material, Mexico City; New Orleans Museum of Art; Aperture Foundation, New York; Silver Eye Center for Photography, Pittsburgh; Museum of Fine Arts Houston; and the San Francisco Arts Commission, among others. Lee was a 2022 Artist-in-Residence at the Chinati Foundation and is a 2021–2023 Artist-in-Residence with Unseen California.