Join CAG’s Executive Director Matthew Hyland for a walkthrough of the current exhibitions.

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Three fruit wrapped in green tissue sit on folded tatami mats wrapped in translucent plastic, on a concrete floor in front of suspended film sheets that curl as they touch the ground.

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with Matthew Hyland

Curatorial Tour

Lotus L. Kang

Unfolding across sculpture, installation, drawing, and photography, the practice of Lotus L. Kang takes up questions of “becoming” on expansive terms. Known for her use of unstable, continuously sensitive materials and a visual language that melds structural, organic and entropic forms, Kang’s dexterously layered works explore self and environment as contingent, continuous and inseparable. 

At the Contemporary Art Gallery, Kang presents her most recent installation, *In Cascades*, a scaffold of industrial steel joists sheathed with lengths of unfixed photographic films. Presented in a palette of visceral hues, these films — described by the artist as “skins” — remain sensitive to their environment, developing over the course of the exhibition as they’re exposed to the light and humidity of the gallery. A series of intimate sculptures punctuate the installation, provisional, often changeable forms in arrangements that nod to processes of reproduction, exchange, inheritance, and transformation.

Alongside *In Cascades*, Kang will present a suite of new public-facing works on the façade of the gallery’s Nelson Street building and at nearby Yaletown-Roundhouse Station.

*In Cascades* is co-commissioned by Chisenhale Gallery, London, and the Contemporary Art Gallery, Vancouver.

#### Biography
Lotus L. Kang (b. 1985, Toronto) lives and works in New York. Her recent exhibitions include the Museum of Contemporary Art Chicago; Mercer Union SPACE, Toronto; Hessel Museum of Art, Annandale-on-Hudson, NY;  the 2021 New Museum Triennial, New York; SculptureCenter, New York; Remai Modern, Saskatoon; and Oakville Galleries. In 2022, Kang was the inaugural resident of Horizon Art Foundation, Los Angeles and was also in residence at Triangle Arts Association, New York. She has also been artist-in-residence at Rupert Vilnius; The Banff Centre for Arts & Creativity, Alberta; and Interstate Projects, Brooklyn. She holds an MFA from the Milton Avery School of the Arts at Bard College.


Long earth tone sheets of film of various colours suspended from metal ceiling beams. A small box supporting three fruit is visible between two perpendicular sheets of film.

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In Cascades

Trinh T. Minh-ha

*Reassemblage* (1982), Trinh T. Minh-ha’s first film, is a classic of postcolonial cinema. Set in rural Senegal, the film introduces Trinh’s career-long methodology of “speaking nearby.” Throughout the work, Trinh scrutinizes the presumption of anthropological and documentary filmmakers to speak about or on behalf of their subjects, a critical lens that she also extends to “the missionary, the Peace Corps volunteer, the tourist, and last but not least at myself as onlooker.”

Cinematic techniques themselves are the subjects of *Reassemblage*. Treating film editing as a language, Trinh composes a rhythmic montage in which the repetition and discontinuity of audio-visual footage cohere into a new filmic genre that lies between poetry and theory, the essay and the anti-essay.

#### Biography
Born in Vietnam, Trinh T. Minh-ha is a filmmaker, writer and music composer. She is Distinguished Professor of the Graduate School in the departments of Gender & Women’s Studies and of Rhetoric at the University of California, Berkeley. Spanning nearly four decades, Trinh’s complex, theoretical and poetic practice includes moving image, writing, musical composition, installation, and teaching. She dedicates her practice to questioning systems of knowledge, representation and experience related to cultural identity and memory, and has made profound contributions to filmmaking as well as to the fields of postcolonial and feminist studies. Retrospectives and surveys of her films have been presented widely, including at the Institute of Contemporary Art, London; Secession, Vienna; Jeu de Paume, Paris; and the Museo Nacional Centro de Arte Reina Sofia, Madrid, among many, many others. In 2018, M+ Museum of Visual Culture, West Kowloon Cultural Council, Hong Kong, in collaboration with ICA London and Hong Kong Arts Centre, presented a retrospective of Trinh T. Minh-ha during Art Basel Hong Kong. She has participated in the 2012 Contemporary Art Triennale at the Palais de Tokyo; the 1987, 1992 and 2022 Whitney Biennials; Documenta 11; the Guangzhou Triennial (2008); and the Shanghai (2004), Busan (2004), and Kyoto (2003) Art Biennales.


A photo of a Senegalese woman looking to her right with one arm outstretched and her chin in her other hand.

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