Join CAG’s TD Assistant Curator Aretha Pereira for a walkthrough of the current exhibitions.

### Accessibility
ASL interpretation is available on request. Requests can be accommodated up to 5 days in advance. Please contact [learning@cagvancouver.org](mailto:learning@cagvancouver.org) to book or for more information.

### RSVP
No advance registration required.

A pair of windows featuring line drawn figures engaged in various activities. Some of the figures spell out “art” and “lives” with their bodies.

large_04 Kablusiak 2024.jpg

medium_04 Kablusiak 2024.jpg

small_04 Kablusiak 2024.jpg

thumbnail_04 Kablusiak 2024.jpg

04 Kablusiak 2024.jpg

with Aretha Pereira

Curatorial Tour

Divya Mehra

The work of Divya Mehra melds critical precision with biting wit to produce disarming, deceptively complex meditations on difficult subjects. With a canny visual language and piercing concision, Mehra’s works give unexpected form to trenchant observations on themes spanning racial violence, colonial theft, displacement, and grief, deftly layering nuanced critique with an acerbic humour. 

In ~~*Live Laugh Love*~~, Mehra presents a pair of new works aimed at the social landscape of the Pacific Northwest. On the walls of the B.C. Binning Gallery, a monumental monochrome painting anchors the exhibition. Offering a wry critical counterpoint to the work of late American artist Robert Ryman, Mehra renders in white-on-white a racist poster that circulated in suburban Vancouver last year, producing a ghostly space at once seemingly empty and laden with the ways whiteness operates, occupies and subsumes.

In the gallery opposite, Mehra has constructed a child-sized play structure assembled from nearly 1,000 yoga blocks. Modeled on a castle from Nintendo’s original Super Mario Bros, the sculpture rehearses references familiar to the region — leisure, wellness, safe spaces, tech — while asking to whom the benefits of these cultures might primarily accrue and, more pointedly, who might require safety from whom in this landscape.

*Divya Mehra: ~~Live Laugh Love~~* is generously supported by the Friends of Divya Mehra.

#### Biography
Divya Mehra (b. 1981, Winnipeg) is known for her meticulous attention to the interaction of form, medium and site. Her works are a reminder of the complex realities of displacement, loss and oppression. Mehra’s work has been exhibited, screened and commissioned by Frieze Sculpture, Los Angeles; Creative Time, New York; MoMA PS1, New York; Queens Museum of Art, New York; MASS MoCA, North Adams, MA; CCA Wattis Institute, San Francisco; Nuit Blanche, Toronto; and the Embassy of Canada in Washington, D.C. She has been featured in publications such as the New York Times, Times of India, ArtAsiaPacific, Hyperallergic, The Globe and Mail, and The Washington Post. Mehra’s work is in numerous public collections, including the National Gallery of Canada, Ottawa; Global Affairs Canada; and the MacKenzie Art Gallery, Regina. She is the recipient of the 2022 Sobey Art Award. Mehra lives and works in Seattle.

Exhibition Essay Booklet - Divya Mehra - P1.pdf

CAG - Divya  Mehra - Exhibition Guide - Regular Print - Web.pdf

CAG - Divya  Mehra - Exhibition Guide - Large Print - P1.pdf

large_Divya Mehra - Fall 2024 - promo image option 2.jpg

medium_Divya Mehra - Fall 2024 - promo image option 2.jpg

small_Divya Mehra - Fall 2024 - promo image option 2.jpg

thumbnail_Divya Mehra - Fall 2024 - promo image option 2.jpg

Divya Mehra - Fall 2024 - promo image option 2.jpg

Kablusiak

Inuvialuk artist Kablusiak embraces the wideness of Inuit experience, encompassing in their work joy, despair, sexuality, and, as an Inuk living outside Inuit Nunangat, displacement. Across an agile practice that includes drawing, sculpture, installation, and video, Kablusiak pushes the conventions of modern Inuit art with wit, irreverence and camp.
 
At the Contemporary Art Gallery, the artist exhibits *Double Feature*, two bodies of work that wryly comment on the absurdities and rituals of art and culture. Addressing the lofty aspirations associated with “high art,” Kablusiak adapts their trademark doodle figures to spell out a message across CAG’s façade, nested among humorous and heartbreaking depictions of everyday life. At Yaletown-Roundhouse Station, the artist presents large-scale photographs of their mischievous Ookpik sculptures. Looking askance at the handcrafted doll’s fetishistic popularity in the Canadian imagination, Kablusiak draws on the respective intimacies of the mass market and the subcultural, emphasizing a place for both in contemporary Inuit life. 

#### Biography
Kablusiak is a renowned multidisciplinary Inuvialuk artist who creates work in a variety of materials including, but not limited to, soapstone, permanent marker, bed sheets, felt, fur, and words. Their work explores the dis/connections between existence within and without Inuit Nunangat, the impacts of colonization on gender and sexuality expressions, trying to make people laugh, and the everyday. Kablusiak holds a BFA in Drawing from AUArts in Mohkinstsis/Calgary, where they are currently based. In all of their creative work Kablusiak seeks to demystify Inuit art and create space for Inuk-led representations of the diversity of Inuit cultures. Their work can be found in the collections of the Indigenous Art Centre, Alberta Foundation for the Arts, Art Gallery of Alberta, Banff Centre for Arts & Creativity, and Global Affairs Visual Art Collection, among others. Kablusiak was awarded the 2023 Sobey Art Award and is represented by Norberg Hall.

CAG - Kablusiak - Exhibition Guide - Regular Print - P1.pdf

CAG - Kablusiak - Exhibition Guide - Large Print - P1.pdf

thumbnail_RedOokpik(small).png

RedOokpik(small).png

CAG’s façade with Kablusiak's Double Feature across eight street-facing windows. The artworks are line drawn figures engaged in various activities. Some of the figures spell out words with their bodies.

large_01 Kablusiak 2024.jpg

medium_01 Kablusiak 2024.jpg

small_01 Kablusiak 2024.jpg

thumbnail_01 Kablusiak 2024.jpg

01 Kablusiak 2024.jpg

A pair of windows featuring line drawn figures engaged in various activities. Some of the figures spell out “for” and “better” with their bodies.

large_02 Kablusiak 2024.jpg

medium_02 Kablusiak 2024.jpg

small_02 Kablusiak 2024.jpg

thumbnail_02 Kablusiak 2024.jpg

02 Kablusiak 2024.jpg

A pair of windows featuring line drawn figures engaged in various activities. Some of the figures spell out “or” and “worse” with their bodies.

large_03 Kablusiak 2024.jpg

medium_03 Kablusiak 2024.jpg

small_03 Kablusiak 2024.jpg

thumbnail_03 Kablusiak 2024.jpg

03 Kablusiak 2024.jpg

A pair of windows featuring line drawn figures engaged in various activities. Some of the figures spell out “for” and “ever” with their bodies.

large_05 Kablusiak 2024.jpg

medium_05 Kablusiak 2024.jpg

small_05 Kablusiak 2024.jpg

thumbnail_05 Kablusiak 2024.jpg

05 Kablusiak 2024.jpg

A corner view of a SkyTrain station with photographs of Ookpiit in its windows. From left to right: two Ookpiit with leather gear, a Furby-inspired one, one with no fur and a Garfield-inspired one.

large_06 Kablusiak 2024.jpg

medium_06 Kablusiak 2024.jpg

small_06 Kablusiak 2024.jpg

thumbnail_06 Kablusiak 2024.jpg

06 Kablusiak 2024.jpg

A frontal view of a SkyTrain station with photographs depicting Ookpik figures, or stuffed owl toys, in its windows. From left to right are a Furby-inspired Ookpik, one with no fur and a Garfield-inspired one.

large_07 Kablusiak 2024.jpg

medium_07 Kablusiak 2024.jpg

small_07 Kablusiak 2024.jpg

thumbnail_07 Kablusiak 2024.jpg

07 Kablusiak 2024.jpg

A frontal view of a SkyTrain station with photographs depicting Ookpik figures, or stuffed owl toys, in its windows. The Ookpiit both have red fur and sport leather accessories.

Curatorial Tour

Accessibility

RSVP

Related Exhibitions