Rochelle Goldberg

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Please join us for a talk at the gallery between artists Rochelle Goldberg and Liz Magor on the occasion of Goldberg's exhibition *Sun Moon Stars*.

### RSVP
Registration for this event is required. Secure your place [here](https://www.eventbrite.ca/e/in-conversation-rochelle-goldberg-liz-magor-tickets-916885959587?aff=oddtdtcreator).

### Accessibility
ASL interpretation is available on request. Requests can be accommodated up to 5 days in advance. Please contact [learning@cagvancouver.org](mailto:learning@cagvancouver.org) to book or for more information.

### Biographies
Rochelle Goldberg lives and works in Berlin. Her solo exhibitions include Mercer Union, Toronto; Commercial Street, Los Angeles; Kunsthalle Lingen, Germany; The Power Station, Dallas; GAMeC di Bergamo, Italy; and SculptureCenter, New York. Her work has also been featured in group exhibitions at institutions such as Gallerie delle Prigioni, Treviso, Italy; Berkeley Art Museum and Pacific Film Archive; Oakville Galleries, Canada; Montpellier Contemporain; Fondation d’Entreprise Ricard, Paris; Whitney Museum of American Art, New York; Dortmunder Kunstverein, Germany; and Swiss Institute, New York, amongst others. She was Artist in Residence at The Chinati Foundation, Marfa, Texas (2018), and was selected to present for the inaugural Frieze Sculpture at Rockefeller Center, New York (2019). She holds a Master of Fine Arts from the Milton Avery School of the Arts at Bard College, New York.

Liz Magor lives and works in Vancouver. Her recent solo exhibitions include MOCA Toronto; Douglas Hyde Gallery, Dublin; Focal Point Gallery, Southend-on-Sea, UK; Carpenter Center for the Arts, Cambridge; Renaissance Society, Chicago; Kunstverein in Hamburg; and Migros Museum für Gegenwartskunst, Zurich. Her work has been included in group exhibitions including Musée d’art Moderne de la Ville de Paris; Kunsthalle Basel; Wattis Institute, San Francisco; Vancouver Art Gallery; Stedelijk Museum, Amsterdam; National Gallery of Canada; Museum of Modern Art, New York; and Biennale of Sydney. In 1987, she exhibited at documenta 8, and in 1984, she represented Canada at the Venice Biennale. She was named Chevalier dans l'Ordre des Arts et des Lettres, France in 2021, and is the recipient of the Gershon Iskowitz Prize (2014), the Audain Prize for Lifetime Achievement in the Visual Arts (2009), and a Governor General’s Award in Visual & Media Arts (2001).

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Rochelle Goldberg & Liz Magor

In Conversation

Please join us to celebrate the opening of CAG's summer 2024 exhibitions, *Rochelle Goldberg: Sun Moon Stars* and *Zoe Leonard: View from Below*. 

All ages welcome. Cash bar.                                              

Kablusiak’s *Double Feature* will open on CAG’s Façade and at Yaletown-Roundhouse Station on June 17.     

### RSVP
No advance registration required.

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Summer 2024

Opening Reception

The work of Vancouver-born, Berlin-based artist Rochelle Goldberg finds root in the unstable boundaries between seemingly fixed entities: animate and inanimate, self and other, renewal and decay. Her sculptures often merge ephemeral and enduring matter such as crude oil, bronze, glitter, steel, and seeds to enact installations that project forward and backward in time, combining art historical iconography with allusions to ongoing processes of transformation, contamination and growth.

In *Sun Moon Stars*, Goldberg continues her engagement with Mary of Egypt, a fifth-century saint who has served as a recurring point of reference in her practice. Historically framed as a repentant sinner who turned away from the carnal and material to pursue a life of scarcity in the desert, the artist recasts Mary here in dialogue with the image of another highly determined figure — the 20th-century pinup model — tracing the anachronistic frameworks that tether these icons to both one another and the present moment. The images and forms that Goldberg marshals in this scene are at once fragmentary, suspended and unfixed, pointing us toward continuous cycles of making and unmaking — material, mythical and epistemological — and to the sedimentary structures that have long shaped Western constructions of body, self and environment.

*Sun Moon Stars* (2023) was originally commissioned by Mercer Union, Toronto.

#### Biography
Rochelle Goldberg lives and works in Berlin. Her solo exhibitions include Mercer Union, Toronto; Commercial Street, Los Angeles; Kunsthalle Lingen, Germany; The Power Station, Dallas; GAMeC di Bergamo, Italy; and SculptureCenter, New York. Her work has also been featured in group exhibitions at institutions such as Berkeley Art Museum and Pacific Film Archive; Oakville Galleries, Canada; Montpellier Contemporain; Fondation d’Entreprise Ricard, Paris; Whitney Museum of American Art, New York; Dortmunder Kunstverein, Germany; and Swiss Institute, New York, amongst others. She was Artist in Residence at The Chinati Foundation, Marfa and Atelier Calder, France, and was selected to present for the inaugural Frieze Sculpture at Rockefeller Center, New York (2019). She holds a Master of Fine Arts from the Milton Avery School of the Arts at Bard College, New York.

Exhibition Essay Booklet - Rochelle Goldberg.pdf

CAG - Rochelle Goldberg - Exhibition Guide - Regular Print - P1.pdf

CAG - Rochelle Goldberg - Exhibition Guide - Large Print - P1.pdf

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A wide view of several sculptures hanging from wire: magic wands, vanity lights and silver baguettes. Two bronze sulptures of partial human figures sit among aluminum cans and painted baguettes on the floor.

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A bronze sculpture of a partial human figure sits on aluminum cans on a concrete floor. The sculpture's form appears to be precarious. Behind it are silver baguettes and aluminum cans.

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A bronze sculpture of a partial human figure sits on aluminum cans on a concrete floor. Above, silver magic wands hang from wire.

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A bronze sculpture of a partial human figure sits on aluminum cans on a concrete floor. The sculpture appears to be disintegrating.

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A wide view of several sculptures hanging from wire: magic wands, vanity lights and silver baguettes. A bronze sulpture of a partial human figure sits among aluminum cans and painted baguettes scattered across the floor.

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A bronze sculpture of a partial human figure sits on aluminum cans on a concrete floor. The sculpture's form appears to be precarious. Nearby are silver baguettes, aluminum cans and bronze cans that appear to be melting.

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A textured bronze sculpture of a partial human figure. The sculpture appears to be disintegrating.

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A bronze sculpture of a partial human figure sits on aluminum cans on a concrete floor. The sculpture's form appears to be precarious. Nearby are a vanity light, more aluminum cans, silver baguettes, and bronze cans that appear to be melting.

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A bronze sculpture of a partial human figure sits on aluminum cans on a concrete floor. Nearby are more aluminum cans, silver baguettes, and bronze cans that appear to be melting.

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A bronze sculpture of a partial human figure sits among aluminum cans, baguettes and smaller bronze forms. Above, a magic wand, silver baguettes and a vanity light hang from wire.

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A wide view of vanity lights and silver magic wands hanging from wire. A bronze sulpture of a partial human figure sits on aluminum cans.

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A detail of a sculpture comprised of silver-painted baguettes, wire, aluminum cans and a bronze can.

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A detail of a sculpture comprised of silver-painted baguettes, wire, aluminum cans and a bronze can. The bronze can is in focus and its background is blurred.

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A detail of a sculpture comprised of silver-painted baguettes, wire, aluminum cans and a bronze can whose form appears to be disintegrating.

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A detail of a sculpture comprised of silver-painted baguettes, wire, and aluminum cans.

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A silver magic wand, a vanity light and dozens of painted baguettes are held by wire fixed to the wall. Four wires hang from the silver wand and stretch out of frame.

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A worm's eye view of dozens of silver-painted baguettes and a magic wand held by several wires. Above them the ceiling lights are visible.

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Vanity lights and a dozen silver baguettes hang from wires fixed to the wall. On the floor are another vanity light, more silver baguettes and aluminum cans.

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A detail view of a silver magic wand. In the background are a vanity light and more magic wands hanging from wire.

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Dozens of magic wands and a vanity light hang from wire.

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A wide view of several sculptures hanging from wire: magic wands, vanity lights and silver baguettes. Two bronze sulptures of partial human figures sit among aluminum cans, a vanity light, glass bowls, and painted baguettes on the floor.

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A sculpture comprised of three glass bowls and five aluminum cans. One of the cans is tied to wire that stretches out of frame.

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A detail of a sculpture comprised of glass bowls, wire, aluminum cans, and a ball with copper coins sticking out.

Rochelle Goldberg

Exhibitions

Talks & Events