David Balzer

As part of Canadian Art Magazines Gallery Day, Vancouver Editor-in-Chief David Balzer discusses the work of Turkish Canadian artist Erdem Taşdelen and his current CAG exhibitions *Wild Child and The Quantified Self Poems*.


A white graph on a black background with a heading that reads "How do you feel?" A "Next" button is beneath the graph.

thumbnail_QuantifiedSelfPoems_02.jpg

QuantifiedSelfPoems_02.jpg

David Balzer on Erdem Taşdelen

Feedback Series

In conjunction with the Canadian Art Foundation Vancouver Gallery Hop, the CAG is hosting a talk by Canadian Art associate editor David Balzer based on his latest book *Curationism: How Curating Took Over the Art World and Everything Else*. In his incisive and original study, Balzer travels through art history and around the globe to explore the cult of curation — where it began, how it came to dominate museums and galleries, and how it was co-opted at the turn of the millennium as the dominant mode of organizing. At the centre of the book is a paradox: curation is institutionalized and expertise-driven like never before, yet the first independent curators were not formally trained, and any act of choosing has become ‘curating’. Is the professional curator an oxymoron? Has curation reached a sort of endgame, where its widespread fetishization has led to its own demise?

### Biography 

David Balzer is a Toronto-based critic, editor and teacher. He has written for The Globe and Mail, Modern Painters, Camera Austria, artforum.com, The Believer and others, and is the author of two books, the short-fiction collection Contrivances (Joyland/ECW Press) and the non-fiction study ‘Curationism: How Curating Took Over the Art World and Everything Else’ (Coach House Press/Pluto Press).

The cover of David Blazer’s book “Curationism.” The cover depicts a photograph of an assemblage sculpture made of a mannequin torso balanced on cogs and other mechanical objects. 

David Balzer

Talks & Events